Country: Australia

Dance Sketches (3 pieces)

RM753e Dance Sketches (3 pieces) Spiewak MARIMBA
RM753e Dance Sketches (3 pieces) Spiewak MARIMBA
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Composer: Tomasz Spiewak
Composed: 1999 Duration: 5 mins.
Instrumentation: Marimba
ISMN: 979-0-720109-24-4 Catalogue: RM753
Level: C Country: Australia

Performed by Craig Beard

Marimbarimbalia (2 pieces)

RM752e Marimbarimbalia (2 pieces) Gilmour MARIMBA
RM752e Marimbarimbalia (2 pieces) Gilmour MARIMBA
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Composer: Russell Gilmour
Composed: 2001 Duration: 7 mins.
Instrumentation: Marimba
ISMN: 979-0-720083-90-2 Catalogue: RM752
Level: C Country: Australia

Egyptian Wish

RM750e Egyptian Wish Abbott SAX TRIO SSS
RM750e Egyptian Wish Abbott SAX TRIO SSS
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Composer: Katy Abbott
Composed: 2001 Duration: 8 mins.
Instrumentation: Sax Trio
ISMN: 979-0-720109-21-3 Catalogue: RM750
Level: D Country: Australia

Performed by Barry Cockcroft, Joseph Lallo & Jess Voigt

Suite for Double Bass

RM749 Double Bass Suite Witney DB
RM749 Double Bass Suite Witney DB
Printed Book
Composer: Paul Witney
Composed: 2010 Duration: 10 mins.
Instrumentation: Double Bass Solo
ISMN: 979-0-720109-20-6 Catalogue: RM749
Level: B, C Country: Australia

Sonatina

RM745e Sonatina Broadstock EUPH/PNO
RM745e Sonatina Broadstock EUPH/PNO
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Composer: Brenton Broadstock
Composed: 2010 Duration: E mins.
Instrumentation: Euphonium & Piano
ISMN: 979-0-720109-16-9 Catalogue: RM745
Level: 14 Country: Australia

Dawn Interlude

RM744e Dawn Interlude Stanhope FRENCH HORN
RM744e Dawn Interlude Stanhope FRENCH HORN
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Composer: Paul Stanhope
Composed: 1999 Duration: 2 mins.
Instrumentation: French Horn Solo
ISMN: 979-0-720109-15-2 Catalogue: RM744
Level: C Country: Australia

Dawn Interlude is a short French horn solo extracted my song cycle Songs for the Shadowland (for soprano, winds and piano). This piece is not only a commentary on Oodgeroo Noonucal’s poem Dawn Wail for the Dead but also, in its own way, a personal gesture of sorrow for past wrongs perpetrated against Indigenous Australians.

The use of descending glissandi, the use of stopped notes and a ‘natural horn’ quarter-tone harmonic emphasize the mournful nature of the piece.