Composed: 1997 Duration: 4 mins.
Instrumentation: Sax Tenor & Piano Level C
Exam Grade: AMEB Saxophone Tenor Grade 5,
HSC Saxophone Tenor,
VCE Saxophone Tenor
ISMN: M-720067-28-5 Catalogue: RM275
Level: C Country: Australia
Also available for Tenor sax solo with Big-band I wanted to write a difficult, complex tune (as I always seemed to end up writing simple melodies) and this is what resulted. Meredith was my first student to try it and she articulated it to suit how she played. I have adopted many of her articulations in this version. In certain circumstances, I highly recommend improvising in the optional section. The biggest challenge, other than the technical difficulty, is to swap between the fusion feel with the appropriate intense sound and the jazz feel with a lighter sound, and then lead gradually back towards the fusion feel and sound towards the end. The accompanist should be sure not to slow down in the swing section. Even push ahead a little.
Contents: Herbie's Journey, Heaven's Steps, Dracula's New Shorts, Cha Cha Boom, I Wonder Why, Eat My Shorts Dance, My Neighbour's Pool, Half a Dozen
I originally wrote this for Lisa to play as a solo flute piece, then gave it to some Tenor Sax students before adding the piano part, which I now really like the sound of and it does add considerably to the piece. It is named Mediterranean Blue because it seems to have Southern European influences but a touch of the Blues too. Therefore you can approach playing it, leaning in either direction, either a little jazzy or quite Classical, (vaguely Spanish). The rhythmic feel is challenging to pin down, being almost felt in one beat to the bar, but only once you reach a certain tempo. Finding places to breathe can also be a little challenging. Sorry. You may find yourself humming this one in your sleep as I have.
Contents: Shuffle Over Here, We Don't Tango Here, The Minor Issue, The Boogie Woogie Woogie, Funkability, Be Bopaphobia
Contents: Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius, Capricorn, Aquarius, Pisces
Contents: Captain Fred, Rikitiki Plop, Doodly What's It, Lookin' at Cha Cha Cha, Slinkissimmo, The Little Rag Rag, Three Out of Four
Contents: Leap Frog, The Accidental Spy, Tree Fellas of Sherwood , The BIG Test , The Tricky Finish, Trickie Dickie, Triple Treat, Three Blind Rats, Tiptoe Through the Paddock , Old Blue , The Lonely Hiccup , David and his Big Friend , Cha Cha No. 1
Contents: Penguins' Meeting, An Olde Serenade, By the Shores of Lake Cadibarrawirracanna, Emus on Parade, Promenade of the Wombats, Capriccio, Folk Dance
Performed live by Lachlan Davidson (baritone sax)
I wrote this for Perdita, during her lessons, 12 bars per week, to give her an idea on how the blues works. She played the tenor but it sounds fine on all saxes. My bari (Horace) likes playing it, but not too slowly as it can drag. The articulations add to the rhythmic interest and putting a little accent on tongued notes adds to this effect. Otherwise you should lean on the the beat to keep the Boogie Woogie idea going. The piano part is mostly a bass part and gives you strong fundamental pitch to tune to and make the thirds hum.